2012 | Sexual Performance: a study of gender, sexuality, and performance in the work of Jean Genet. (under review) |
2012 | Selected Plays of Sony Labou Tansi: including critical introduction and three full-length plays |
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2000 | "Rehearsing the Weird Sisters: The Word as Fetish in Macbeth,"in Shakespeare without Class, eds. Don Hedricks and Bryan Reynolds, St. Martin's Press |
2012 | "Engagement Cru: Sony Labou Tansi's Avant-Garde Politics," (under review) |
2012 | "Forever," (under review) |
2012 | "Without Prophylactics," (under review) |
1996 | "Jean Genet: 'Une Solitude Mortelle,'" Raritan |
1995 | "The Merry Wives of Windsor: Sharing the Queen's Holiday,"
Representations |
1995 | "The Puppet's Calling," with Kenneth Gross, Raritan |
1995 | "Pinokio," a puppet review with Kenneth Gross,
South African Theatre Journal |
1993 | "Julius the Snoozer: Independence Day in Blackface",
Theatre History Studies |
1989 | "Flesh of his Flesh: Amputation in Moby Dick and Silas Weir Mitchell's Medical Papers", Genders 4 |
2004 | “TAKE AIM: Tending to Abjection in Fefu and her Friends,” for Fefu and Her Friends, dir. Maja Ardall, Helen Gardiner Phelan Playhouse |
2002 | “Waiting to Become,” for The Bacchae, dir. Daniel Brooks, Helen Gardiner Phelan Playhouse |
2004 | Maria Irene Fornes, for web-posting on the official Fornes site and
UCDP programme notes, |
2003 | Carlos Camarillo, Mistero Buffo, dir. Maja Ardall, Helen Gardiner Phelan Playhouse |
2002 | Jean-Jacques Lemetre, with Joerg Bochow, The Bacchae, dir.Daniel Brooks, Helen Gardiner Phelan Playhouse |
2002 | Paolo Consiglio, with Joerg Bochow, The Bacchae, dir. Daniel Brooks, Helen Gardiner Phelan Playhouse |
2004 |
Review of Judith Rudakoff and Lynn M. Thomson. Between the Lines: The Process of Dramaturgy. University of Toronto Quarterly Winter 74.1 |